Whether it was Gunship and the pounding Drone Racing– the kick drum alone makes it worth having a look at– Prix Woojer Edge… or The Word Alive’s Quit While You’re Ahead, I loved listening to music in this way. It’s someplace in between being down the front at a gig and standing next to a bass bin in a bar, and if you’re a fan of music the Woojer Vest Edge brings it to life in a manner you can’t quickly replicate. If you’re a fan of classical music or 60s pop there’s going to be less of a draw, however if your taste alters towards the much heavier end you’ll find it hard to go back.
Taking the 3.5 mm feed from the Oculus into the Vest Edge’s control system, you then attach your earphones in series before transferring them on your head. I stressed that there ‘d be too many loose cable televisions, however with some positioning under and around the Vest Edge there was never ever anything in the way, and nor did it restrict my movement.
You’re best served here with some powerful programs; I’m thinking more Michael Bay than Michael Moore. While you can have this set up for regular watching– it’s a cinch if you’re hooked into your DualSense or Xbox controller– VR viewing is categorically the way forward. If you have actually checked out apps like Prime Video VR or Bigscreen you’ll understand that they put you in a virtual cinema, and viewing blockbusters in VR can be quite special. Including the Vest Edge ideas things strongly into ‘nearly as good as the genuine thing’.
I do not believe I ‘d spent much time thinking about how filmmakers tweak the sound mix to draw the audience in, however the absence of low frequencies in the opening was hammered home once they appeared, including severe depth to both the superhero and the soundtrack action. I enjoyed this; it’s definitely like having your own cinema, and given that I ‘d combined the Vest Edge with Razer’s haptic-toting Nari Ultimate I was experiencing every blow, every blast, simply like you would in a well-equipped movie theatre.