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Whether it was Gunship and the pounding Drone Racing– the kick drum alone makes it worth taking a look at– Veste Woojer… or The Word Alive’s Quit While You’re Ahead, I loved listening to music in this way. It’s someplace in between being down the front at a gig and standing next to a bass bin in a bar, and if you’re a fan of music the Woojer Vest Edge brings it to life in such a way you can’t easily replicate. If you’re a fan of classical music or 60s pop there’s going to be less of a draw, however if your taste skews towards the heavier end you’ll find it tough to go back.

I followed up my musical jaunts with some film time. This was where I took my first foray into VR with the Vest Edge, and the established on Oculus Mission 2 was quick and basic. Taking the 3.5 mm feed from the Oculus into the Vest Edge’s control unit, you then connect your headphones in series before depositing them on your head. I stressed that there ‘d be a lot of loose cables, but with some placing under and around the Vest Edge there was never ever anything in the method, and nor did it limit my movement.

If you’ve checked out apps like Prime Video VR or Bigscreen you’ll understand that they put you in a virtual cinema, and enjoying hits in VR can be pretty special. Adding in the Vest Edge ideas things securely into ‘almost as good as the real thing’.

I selected Spider-Man Homecoming as my first port of call, and things started reasonably controlled. I do not believe I ‘d spent much time thinking about how filmmakers tweak the sound mix to draw the audience in, however the lack of radio frequencies in the opening was hammered home once they appeared, including serious depth to both the soundtrack and the superhero action. I liked this; it’s definitely like having your own cinema, and given that I ‘d combined the Vest Edge with Razer’s haptic-toting Nari Ultimate I was experiencing every blow, every blast, just like you would in a fully equipped movie theatre. No, wait. It’s much better than that