Whether it was Gunship and the pounding Drone Racing– the kick drum alone makes it worth taking a look at– Woojer France… or The Word Alive’s Quit While You’re Ahead, I adored listening to music in this way. It’s someplace in between being down the front at a gig and standing beside a bass bin in a club, and if you’re a fan of music the Woojer Vest Edge brings it to life in a way you can’t easily reproduce. If you’re a fan of classical music or 60s pop there’s going to be less of a draw, but if your taste alters towards the much heavier end you’ll find it tough to return.
Taking the 3.5 mm feed from the Oculus into the Vest Edge’s control unit, you then attach your earphones in series prior to depositing them on your head. I fretted that there ‘d be too many loose cables, however with some positioning under and around the Vest Edge there was never ever anything in the method, and nor did it limit my movement.
You’re finest served here with some powerful shows; I’m believing more Michael Bay than Michael Moore. While you can have this established for routine watching– it’s a cinch if you’re hooked into your DualSense or Xbox controller– VR viewing is categorically the way forward. If you’ve taken a look at apps like Prime Video VR or Bigscreen you’ll know that they put you in a virtual cinema, and watching smash hits in VR can be pretty unique. Adding in the Vest Edge ideas things securely into ‘nearly as good as the real thing’.
I don’t believe I ‘d spent much time thinking about how filmmakers tweak the sound mix to draw the audience in, however the lack of low frequencies in the opening was hammered home once they appeared, adding severe depth to both the superhero and the soundtrack action. I enjoyed this; it’s definitely like having your own cinema, and offered that I ‘d matched the Vest Edge with Razer’s haptic-toting Nari Ultimate I was experiencing every blow, every blast, simply like you would in a fully equipped film theatre.